ANDRE BENDOCCHI-ALVES
| 1958 | Born in São Paulo, Brazil |
| 1979-85 | Study at Escola de Comunicações e Artes Universidade, São Paulo |
| 1988 | Munich |
| since 2001 | Lecturer at ifs international film school cologne, Germany |
| since 2001 | Director of 40° Filmproduktion GmbH |
| since 2002 | Mentor of the Study Program Sound Design/Film at ifs international film school cologne, Germany |
| since 2003 | Member of Deutsche Filmakademie |
FILMOGRAPHY
| 2007 | Pau Brasil | Fernando Belens | Film Editor |
| Selbstgespräche | André Erkau | Sound Design, Re-Recording Mixer | |
| Ein starker Abgang | Rainer Kaufmann | Sound Design, Re-Recording Mixer | |
| Tohuwabohu | Mara Eibl-Eibesfeldt | Sound Design | |
| Steel Trap | Luis Cámara | Supervising Sound Editor, Re-Recording Mixer | |
| Munich Music Meeting | Andre Bendocchi-Alves | Producer, Director | |
| Tio Fede | Raúl Fernández San Miguel | Re-Recording Mixer, Post Production Supervisor | |
| Teufelsbraten | Hermine Huntgeburth | Sound Design, Dialogue Editor | |
| Ein fliehendes Pferd | Rainer Kaufmann | Sound Design, Dialogue Editor | |
| Milan | Michaela Kezele | Re-Recording Mixer | |
| Das gelbe Kleid | Lisa Schiewe | Re-Recording Mixer | |
| Die wilden Hühner und die Liebe | Vivian Naefe | Sound Design | |
| Das wilde Leben | Achim Bornhak | Sound Design, Dialogue Editor | |
| Mörderischer Frieden | Rudolf Schweiger | Sound Design | |
| Heile Welt | Jakob M. Erwa | Sound Design | |
| 2006 | Wer früher stirbt ist länger tot | Marcus Hausham Rosenmüller | Sound Design |
| Der fliegende Mönch | Batmunh Suhbaatar | Film Editing | |
| Kick it like Zombies | Dennis Todorovic | Editor | |
| Fair Trade | Michael Dreher | Sound Design, Re-Recording Mixer | |
| NimmerMeer | Toke Constsantin Hebbel | Sound Design, Re-Recording Mixer | |
| Finger weg vom schwarzen Mann | Maria Eibl-Eibesfeldt | Sound Design, Re-Recording Mixer | |
| Heile Welt | Jakob M. Erwa | Sound Design | |
| Vier Töchter | Rainer Kaufmann | Sound Design, Dialogue Editor, Re-Recording Mixer | |
| 2005 | Die Krähen | Edzard Onneken | Supervising Sound Editor |
| Die Wolke | Gregor Schnitzler | Dialogue Editor | |
| Die wilden Hühner | Vivian Naefe | Sound Design, Dialogue Editor | |
| Elementarteilchen | Oskar Roehler | Sound Design | |
| Entführung für Anfänger | Dominikus Probst | Sound Design, Dialogue Editor, Re-Recording Mixer | |
| Fratricide (aka Brudermord) |
Yilmaz Arslan | Film Editor, Supervising Sound Design, Dialogue Editor | |
| Endspiel | Mara Eibl-Eibesfeldt | Sound Design | |
| Die Weisse Massai | Hermine Huntgeburth | Dialogue Editor | |
| Neun | Christian Bach, Janina Dahse, Jakob M. Erwa, Jens Junker, Michaela Kezele, Timo Müller, Sebastian Stern, Pia Strietmann, Carmen Stuellenberg |
Sound Design | |
| Speer und Er | Heinrich Breloer | Foley Editor | |
| 2004 | Schneeland | Hans W. Geissendörfer | Sound Design, Supervising Sound Editor |
| 2003 | Die Kirschenkönigin | Rainer Kaufmann | Sound Design |
| Musica Cubana | German Kral | Film Editor, Sound Design | |
| Bis ans Ende der Welt | Wim Wenders | Re-Master Sound Design for SRD | |
| Der Herr der Wüste | Vivian Naefe | Sound Design | |
| Weihnachsmann über Bord | Thomas Berger | Sound Design | |
| Verschwende deine Jugend | Benjamin Quabeck | Sound Design | |
| The Poet | Paul Hills | Sound Design | |
| 2002 | Augenlied | Mischka Popp Thomas Bergmann |
Sound Design |
| Alles getürkt | Yasemin Samdereli | Sound Design | |
| Der Job seines Lebens | Rainer Kaufmann | Sound Design | |
| Der Himmel über Berlin | Wim Wenders | Re-Master Sound Design for SRD | |
| Nitschewo | Stefan Sarazin | Sound Design, Supervising Sound Editor | |
| 2001 | Tattoo | Robert Schwentke | Sound Design, Supervising Sound Editor |
| Salomania | Demetre Thimiopoulos | Film Editor | |
| Das Sams | Ben Verbong | Sound Design, Supervising Sound Editor | |
| Im Lauf der Zeit | Wim Wenders | Re-Master Sound Design for SRD | |
| 2000 | HIGGS | Mischka Popp Thomas Bergmann |
Sound Design |
| Nicks's Film | Wim Wenders | Re-Master Sound Design for SRD | |
| Paris Texas | Wim Wenders | Re-Master Sound Design for SRD | |
| Der amerikanische Freund | Wim Wenders | Re-Master Sound Design for SRD | |
| State of Things | Wim Wenders | Re-Master Sound Design for SRD | |
| Palermo flüstert | Wolf Gaudlitz | Film Editor | |
| Feindliche Übernahme - Althan.com | Carl Schenkel | Sound Design, Supervising Sound Editor | |
| Fandango | Matthias Glasner | Sound Design, Supervising Sound Editor | |
| History is Made at Night | Ilkka Järvi-Laturi | Supervising Sound Editor | |
| Tatort - Kinder der Gewalt | Ben Verbong | Supervising Sound Editor | |
| 1999 | Palermo schreit nicht | Wolf Gaudlitz | Film Editor |
| Kleine Semmel | Paul Harather | Supervising Sound Editor | |
| Ballhaus | Christian Schwotr | Film Editor | |
| Biest im Bodensee / Probe 17 | Richard Huber | Supervising Sound Editor | |
| Tal der Schatten | Nathaniel Gutman | Supervising Sound Editor | |
| Yara | Yilmaz Arslan | Film Editor | |
| 1998 | Frau Rettich, die Cerni und ich | Marcus Imboden | Supervising Sound Editor |
| Palmetto | Volker Schlöndorff | Supervising Sound Editor | |
| A MÃE | Umbelino Brasil, Fernando Belens | Re-Recording Mixer | |
| 1997 | Ballermann 6 | Gernot Roll | Sound Editor |
| Go for Gold | Lucian Segura | Supervising Sound Editor | |
| Flughafenklinik | Nick Stein | Supervising Sound Editor | |
| Smilla‘s Sense of Snow | Bille August | Sound Design | |
| Das Mädchen Rosemarie | Bernd Eichinger | Supervising Sound Editor | |
| Canudos | Sandre Werneck Jorge Furtado |
Sound Design | |
| 1996 | Taxi Lisboa | Wolf Gaudlitz | Film Editor |
| Alle lieben Willy Wuff | Anna Maria Wagner | Supervising Sound Editor | |
| Snakes & Ladders | Trish McAdam | Supervising Sound Editor | |
| Honigmond | Gabriel Barelli | Supervising Sound Editor | |
| 1995 | Der Totmacher | Romuald Karmakar | Sound Editor |
| Anna Maria - Eine Frau geht ihren Weg | Celino Blauweiss | Sound Editor | |
| Gezählte Tage | Wolf Gaudlitz | Film Editor | |
| Giorni Racontati | Wolf Gaudlitz | Film Editor | |
| 1994 | Lisbon Story | Wim Wenders | Supervising Sound Editor |
| Stella Stelaris | Robert Siegl | Supervising Sound Editor | |
| Transatlantis | Christian Wagner | Supervising Sound Editor | |
| Frauen sind was Wunderbares | Sherry Horman | Sound Editor | |
| 1993 | Blue Desert | Wolf Gaudlitz | Film Editor |
| 1992 | Cinzas | Andre Bendocchi Alves | Director |
| The Tigress | Karin Howard | Supervising Sound Editor | |
| 1991 | Knight Moves | Carl Schenkel | Sound Editor |
| 1990 | Parkinson | Wilfried Mergens | Film Editor |
| Hermann Prey | Werner Lütje | Film Editor | |
| Die Zauberflöte | Werner Lütje | Film Editor | |
| 1989 | Wieland Wagner | Werner Lütje | Film Editor |
| Entführung aus den Serail | Werner Lütje | Film Editor | |
| Der Waffenschmied | Werner Lütje | Film Editor | |
| Die Gezeichneten | Werner Lütje | Film Editor | |
| Die Meistersinger | Werner Lütje | Film Editor | |
| 1988 | Carl Orff - Der Mann der Carmina Burana schrieb |
Werner Lütje | Film Editor |
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