MITCH ENZMANN
| 1960 | Born in Weymouth, England. Childhood in Switzerland. |
| 1983-85 | Bayerische Staatslehranstalt für Photographie, Munich |
| 1984-87 | Cinematographer for several short films for Hochschule für Film und Fernsehen, Munich |
| 1985-88 | Freelance Assistant Cameraman and Assistant Photographer |
| 1988-94 | Freelance Photographer |
| 1989-90 | Technical Consultant at Probstfilm Tricktechnik and film laboratory Schwarz Filmtechnik, Berne (CH) |
| 1994-2001 | Motion Control Operator at Magicmove GmbH Munich, constructing and operating equipment for special effects |
| Co-operation with over 200 productions on commercials, image and feature films in Germany and abroad. | |
| since 2001 | Freelance Director of Photography and VFX Supervisor |
| since 2001 | Consultation for several projects for ARRI Research and Development |
| since 2002 | 40° Filmproduktion GmbH |
| since 2002 | Participation on the scientific research project "Forbias" of the Ludwig-Maximilians-Universität, Munich and the Technische Universität, Munich |
| since 2003 | Consultation for ARRI Digital Systems |
FILMOGRAPHY
| 2007 | Munich Music Meeting | Andre Bendocchi-Alves | Cinematographer, Color Grading |
| Kein Bund fürs Leben - Making Of | Stephanie Dresbach | Color Grading | |
| Tio Fede | Raúl Fernández San Miguel | Color Grading | |
| Das Parfum - DVD Zusatzmaterial | Stephanie Dresbach, Burt Neuber | Cinematographer, Color Grading | |
| 2005 | Gaggenau | imm 05, Cologne | Lighting Design for exhibition booth |
| 2003 | Musica Cubana | German Kral | Video-to-Film Supervisor |
| 2002 | Augenlied | Mischka Popp Thomas Bergmann |
Video-to-Film Supervisor |
| Gaggenau, Coanda | Andre Bendocchi-Alves | Cinematography | |
| 2001 | Was tun wenn's brennt | Gregor Schnitzler | Motion Control |
| Resident Evil | Paul Anderson | Motion Control | |
| The Pianist | Roman Polanski | Motion Control | |
| From Hell | Albert + Allen Hughes | Motion Control | |
| 666-Traue keinem, mit dem du schläfst | Rainer Matsutani | Motion Control | |
| 2000 | Sass, die Meisterdiebe | Carlo Rola | Motion Control |
| Otto - der Katastrofenfilm | Edzard Onneken | Motion Control | |
| All the Queen's Men | Stefan Ruzowitzky | Miniature-FX Line-Up | |
| 1999 | The Patriot | Roland Emmerich | Motion Control |
| Der Krieger und die Kaiserin | Tom Tykwer | Motion Control | |
| 1997 | 23 | Hans-Christian Schmid | Motion Control |
| 1996 | Jenseits der Stille | Caroline Link | Motion Control, Title Photography |
| American Werewolf in Paris | Anthony Waller | Motion Control | |
| Harald | Jürgen Egger | Motion Control | |
| 1995 | Nur über meine Leiche | Rainer Matsutani | Motion Control |
| 1994 | FFM - Gesichter einer Stadt | Mark Gläser | Cinematography |
| Kalahari Ju | Benedict Röskau | VFX Supervison | |
| 1993 | Spurlos, Folgen 11-13 | C. Aerneke | Cinematography |
| The High Crusade | Holger Neuhäuser Klaus Knoesel |
Camera Operator, 2.Unit Camera, VFX Camera |
|
| Familie Boning | Wigald Boning | Cinematography | |
| Schule macht Schule | Hans-Christian Schmid | Cinematography | |
| 1992 | La Bruscola | Seyhan Derin | Cinematography |
| Gefahren am Arbeitsplatz | Hans-Christian Schmid | Cinematography | |
| Der Rekord II | Holger Neuhäuser Klaus Knoesel |
Camera Operator | |
| Der GEZ Mann | Klaus Knösel | VFX Cinematography | |
| VR Böse Datteln | Holger Neuhäuser | Camera operator | |
| 1991 | Bama | William Forsythe | Cinematography |
| Die Mechanik des Wunders | Hans-Christian Schmid | Cinematography | |
| 1989 | Der fliegende Holländer | Eckhart Schmidt | Camera Operator |
| Der Atem | Niklaus Schilling | Assistent Cameraman | |
| 1988 | Letzter Kunde | Jürgen Egger Ueli Christen |
Cinematography |
| Lachen im Moor | Rainer Kaufmann | Cinematography | |
| 1987 | Under the Waterline | Claus-Michael Rohne | Cinematography |
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| Munich: MÜLLERSTRASSE 33 80469 MUNICH, GERMANY TEL +49-89-23 88 77 88 EMAIL info@40gradfilm.de Berlin: |